John Mayer Continuum Special Edition Megaupload
Out of Print! Limited Supplies Available! This is a Special Limited Edition Tour Package of the Grammy winning album by John Mayer. Continuum won the Grammy Award for Best Pop Vocal Album, has sold more than 2 million copies worldwide, and will be certified Double Platinum in the US soon.
The 12-track record, produced mostly by Mayer with support from Jordan and Pallidino, is an extremely strong, mature collection of songs that showcases Mayer's growth as an artist. His backing band is extremely tight, and the sonic values on ther record are exceptional. Most importantly, Mayer has grown as a songwriter, incorporating new depth and substance to his songs. Those who didn't give him a chance before would be well suited to check him out now.
Retrieved December 29, 2009. • Anderman, Joan.. Retrieved on 2009-12-29. • No byline (2005). Esquire.com (prior to the title's announcement) (accessed March 16, 2007) • that he intends to name his third album Continuum. • Mahoney, Lesley (October 24, 2008), Berklee.edu (Retrieved 2008-11-02) • Mayer, John (2006-08-04).
' Mayer 4:05 5. 'The Heart of Life' Mayer 3:19 6.
' Mayer 4:02 4. ' Mayer 4:05 5. 'The Heart of Life' Mayer 3:19 6. 'Vultures' Mayer,, 4:11 7.
And not just kinda good, especially for guy who had been largely labeled as a Dave Matthews clone, but really, truthfully, organically good as a blues album in its own right. However, for longtime fans who had been keeping tabs on Mayer, the turn might not have been so unexpected. Soon after the release of his 2003 sophomore album, the laid-back, assuredly melodic Heavier Things, Mayer began appearing on albums by such iconic blues and jazz artists as Buddy Guy, B.B. King, and Herbie Hancock. And not just singing, but playing guitar next to musicians legendary on the instrument. In short, he was seeking out these artists in an attempt to delve into the roots of the blues, a music he obviously has a deep affection for.
Mayer sings of broken hearts in the beautiful 'Slow Dancing in a Burning Room,' which chronicles the end of a relationship, 'this is the deep and dying breath, this love we've been working on.' Mayer attempts to cover Jimi Hendrix on 'Bold as Love', and while the guitar work is amazingly strong his vocals aren't quite as well suited to Hendrix. An elegant ballad sure to make the ladies swoon is 'Dreaming With a Broken Heart.'
I would love, as I've already said, to see Mayer snatch Grammys for this wonderful and exciting music experience. 4.5 stars!!!' 'I'm a Blues-first music fan, so John Mayer flew under my radar for a long while. I have a profound respect for guitarists, however, so when I saw Mayer play at the Crossroads Guitar Festival a couple years back, I had to see what he was all about.
In the past, I've seen many references to John Mayer being a 'Dave Matthews ripoff' and I can't express just how musically uneducated that opinion is. Aside from being pop singers with guitars in their hands, there's really no obvious connection between the two. If I had to make an honest comparison, Sting is the first guy that comes to mind. Not because they sound alike, because they don't. Here you have two guys that broke out young and allowed the world and music around them to shape their art.
And truthfully, while certainly showcases 's deft improvisational blues chops, it's more of a blues/soul album in the tradition of such electric blues legends as and, and features songs by that perfectly marry his melodic songcraft and his blues-slinger inclinations. In fact, what seemed at the time a nod to his largely female fan base (the inclusion of 'Daughters' and 'Something's Missing' off ) was actually a hint that he was bridging his sound for his listeners, showing them where he was going.
( JohnMayer.com Retrieved 2007-11-19 •, news.jamradio.org, March 26, 2008, Retrieved March 27, 2008 • ^. Billboard Magazine.
For me, Mayer has made perhaps one of the VERY best albums of 2006. I would love, as I've already said, to see Mayer snatch Grammys for this wonderful and exciting music experience. 4.5 stars!!!' 'I'm a Blues-first music fan, so John Mayer flew under my radar for a long while. I have a profound respect for guitarists, however, so when I saw Mayer play at the Crossroads Guitar Festival a couple years back, I had to see what he was all about. Didn't know what I'd find, but what I saw that day was a guy that was clearly among the best guitarists of his generation.
Working with his blues trio/rhythm section of bassist and drummer, along with guest spots by trumpeter and guitarist, brings all of his recent musical explorations and increasing talents as a singer/songwriter to bear on. Produced solely by and, the album is a devastatingly accomplished, fully realized effort that in every way exceeds expectations and positions as one of the most relevant artists of his generation. Adding weight to the notion that 's blues trio is more than just a creative indulgence, he has carried over two tracks from the live album in 'Vultures' and the deeply metaphorical soul ballad 'Gravity.' These are gut-wrenchingly poignant songs that give voice to a generation of kids raised on TRL teen stars and CNN soundbites who've found themselves all grown up and fighting a war of 'beliefs.' Grappling with a handful of topics -- social and political, romantic and sexual, pointedly personal and yet always universal in scope -- 's here earns a legitimate comparison to 's. Nobody -- not a single one of 's contemporaries -- has come up with anything resembling a worthwhile antiwar anthem that is as good and speaks for their generation as much as his 'Waiting on the World to Change' -- and he goes and hangs the whole album on it as the first single.
Anybody who was initially confused by singer/songwriter John Mayer's foray into blues with 2005's Try! John Mayer Trio Live in Concert could only have been further confounded upon listening to the album and coming to the realization that it was actually good.
Didn't know what I'd find, but what I saw that day was a guy that was clearly among the best guitarists of his generation. His first two albums showed me a young artist allowing his music to evolve organically. By no means perfect, but definitely worth the price of admission, and each effort is better than the last. Recent collaborations with legends such as Herbie Hancock, B.B. King, Sly & The Family Stone, Eric Clapton, and Aaron Neville clearly demonstrate his respected acceptance by the heaviest hitters in the industry, inspiring him to shake off his pop-centric roots and release the blues/rock album Try!
Cover art [ ] The word 'Continuum' is showcased across the center. The typography for the title was customized to give the letters 'C' and 'o' the appearance of an: ∞. Many of the following letters touch in some way; the right vertical line of the second 'u' is the left vertical line of the 'm' in the title. The album has been released several times with slight differences in the artwork. The three major releases feature, respectively: A photo of Mayer; a silver cover with a white title; and a Local 83-only version (including a silver bag). The first features a dark gray-scale photograph of Mayer with the title near the top; another is identical except for 'featured' centered across the top.
Pigeonholed as a sensitive pop artist with the debut album, Room For Squares, Mayer shifted tack to a bluesier sound with his second studio release Heavier Things. Joining up with impresarios Steve Jordan and Pino Pallidino, Mayer broke out in full on blues mode with the live album Try!
Not anymore, and Continuum is why. Check it out. 'During a time when NEW great music is few and far between and only a handful of bands are writing anything groundbreaking there in still John Mayer. I haven't heard a better album from start to finish in years. This album is his third and by far his best. You always hope the next album is as good as the last without being a copy of the last one. This is Continuum.
This track spans more than adult-alternative, and is a track that would sound nearly equally at home on say a Sufjan Stevens album or a country-rock folk album. The guitar sounds great here and yet again John Mayer doesn't disappoint, even if you expect him to after 5 straight great, consistent numbers.
Anybody who was initially confused by singer/songwriter 's foray into blues with 2005's could only have been further confounded upon listening to the album and coming to the realization that it was actually good. And not just kinda good, especially for guy who had been largely labeled as a clone, but really, truthfully, organically good as a blues album in its own right. However, for longtime fans who had been keeping tabs on, the turn might not have been so unexpected. Soon after the release of his 2003 sophomore album, the laid-back, assuredly melodic, began appearing on albums by such iconic blues and jazz artists as,, and. And not just singing, but playing guitar next to musicians legendary on the instrument. In short, he was seeking out these artists in an attempt to delve into the roots of the blues, a music he obviously has a deep affection for. Rather than his blues trio being a one-off side project completely disconnected to his past work, it is clear now that it was the next step in his musical development.
The introductory organ in 'In Repair' again marks the maturity of Mayer with CONTINUUM. His sense of what 'real music' should represent is made so clear on this album which deserves Grammy nominations! This time you just feel that Mayer got it right with the chilling melodic vocal lines, the exceptional guitar work coupled with everything else. He ends on a high note with 'I'm Gonna Gind Another You', which begins with Mayer's soulful chops only accompanied by a bluesy electric guitar.
John Mayer Continuum Lyrics
John Mayer Official Blog. Retrieved 2006-08-06. Star 98.7 FM. Retrieved 2006-08-25. • JohnMayer.org staff (November 14, 2007).
It never reached #1, impeded by the Justin Timberlake album, which was released at the same time. As of November 2009, Continuum has sold 2,800,000 copies in the United States and is Mayer's third consecutive multi-platinum selling studio album.
It's a bold statement of purpose that is carried throughout the album, not just in sentiment, but also tone. Is a gorgeously produced, brilliantly stripped-to-basics album that incorporates blues, soft funk, R&B, folk, and pop in a sound that is totally owned. It's no stretch when trying to describe the sound of to color it in the light of work by such legends as,,,, and. In fact, the sustained adult contemporary tone of the album could easily have become turgid, boring, or dated but never does, and brings to mind such classic late-'80s albums as 's, 's, and 's. At every turn, finds to be a mature, thoughtful, and gifted musician who fully grasps his place not just in the record industry, but in life. [ was also released in a Special Edition featuring a six-track bonus live disc recorded during the summer of 2007.
Retrieved 18 October 2016. • • External links [ ] • at • at • at • at ZioShow.
His live shows are incredible and the man has some serious guitar chops. Fans of his earlier pop sound may be a bit disappointed, but will likely adapt quickly based on the response of the young crowds at his concerts.
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Retrieved 2006-08-06. Star 98.7 FM. Retrieved 2006-08-25. • JohnMayer.org staff (November 14, 2007).
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Could have prepared you for the monumental creative leap forward that is Mayer's 2006 studio effort, Continuum. Working with his blues trio/rhythm section of bassist Pino Palladino and drummer Steve Jordan, along with guest spots by trumpeter Roy Hargrove and guitarist Ben Harper, Mayer brings all of his recent musical explorations and increasing talents as a singer/songwriter to bear on Continuum. Produced solely by Mayer and Jordan, the album is a devastatingly accomplished, fully realized effort that in every way exceeds expectations and positions Mayer as one of the most relevant artists of his generation.
I personally love the sound of Mayer's vocals here as well as the semi-polytonal element of the rhythmic guitar coupled with Mayer's guitar improvisations and riffs. This track is a masterwork of 'in the pocket' rhythm section playing and it is just another phenomenal track. 'Stop This Train' is in the same plane as 'The Heart Of Life', only there is a slight bit more rhythmic support on the bottom with a very supportive bass line at the bottom of the arrangement.
The songwriting here is again great and the chord progression is perfect. I love and 'heart' the folk feel and the hearkening to go back to the simpler times of acoustic music and the earthy feel of tracks such as these.
I haven't heard a better album from start to finish in years. This album is his third and by far his best. You always hope the next album is as good as the last without being a copy of the last one.
This one is best described as a blues/soul album, and each track is a worthwhile effort. John Mayer has carved out a pretty unique sound for himself. While you'll hear lyrical a melodical nods to obvious influences from Marvin Gaye to Curtis Mayfield, the lyric/music combo solidifies Mayer as an artist that has finally found his identity and sound.
Soon after the release of his 2003 sophomore album, the laid-back, assuredly melodic, began appearing on albums by such iconic blues and jazz artists as,, and. And not just singing, but playing guitar next to musicians legendary on the instrument.
The opening guitar solo in the 6 feel is just immaculate. This is yet another 5 star number of 2006, perhaps one of the most touching tracks here. The organ is subtle in the background, but it serves its purpose ten-fold. The songwriting here is as it has been through the entirety of the album-- way above par and above the par that great songwriter Mayer has previously set for himself in the past. 'The Heart Of Life' speeds the tempo back up again after the chilling 'Gravity'. This track spans more than adult-alternative, and is a track that would sound nearly equally at home on say a Sufjan Stevens album or a country-rock folk album. The guitar sounds great here and yet again John Mayer doesn't disappoint, even if you expect him to after 5 straight great, consistent numbers.