Movie The Thing 1982
The airmen begin a search, which leads to the camp's. As the search moves on, Carrington stays behind with Vorhees, Stern and Laurence, having noticed evidence of activity. They discover a third dead dog, which has had its blood drained—the creature. Carrington and the scientists post a secret watch of their own, hoping to encounter the creature before the airmen find it. The next morning, the airmen continue their search.
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Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. He ran away, nearly ashamed of showing it to me. I wrote the music on my own without his advice. Naturally, as I had become quite clever since 1982, I've written several scores relating to my life. And I had written one, which was electronic music. And [Carpenter] took the electronic score. Carpenter said: [Morricone] did all the orchestrations and recorded for me 20 minutes of music I could use wherever I wished but without seeing any footage.
Fogarty sends orders to keep the alien alive, but it escapes from the greenhouse and attacks the airmen in their quarters. They douse it in kerosene, burning it and forcing its retreat. As soon as the camp regroups, they realize that the temperature is falling rapidly—the furnaces have stopped working, sabotaged by the creature. The team retreat to the station's generator room to keep warm, and an electrical 'fly trap' is rigged. The alien attacks again, but at the last moment, Carrington emerges and pleads desparately with it, attempting communication. It knocks him aside, walks into the trap, and is electrocuted until it is reduced to ashes.
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Reviews called Bottin's work 'genius', noting the designs were novel, unforgettable, 'colorfully horrific', and called him a 'master of the macabre'. Arnold said that the 'chest chomp' scene demonstrated 'appalling creativity' and the subsequent severed head scene was 'madly macabre', comparing them to Alien 's chest burster and severed head scenes.
Although the films are unrelated, each feature a potentially apocalyptic scenario; should 'The Thing' ever reach civilization, it would be only a matter of time before it consumes humanity and takes over the Earth. The theatrical box office performance of the film was poor. This has been attributed to many factors, including Steven Spielberg's E.T.
Carpenter stated that he believed the project should proceed, but the Sci-Fi Channel later removed all mention of the project from their homepage. In February 2009, a positive review of the abandoned screenplay for the Sci-Fi miniseries was published on Corona's Coming Attractions.
During this time, Norris suffers a heart attack, and Cooper uses a defibrillator on him. For his thanks, Norris‘ stomach turns into a big, alien mouth, and it bites off Cooper’s arms.
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When filming began in August, The Thing had a budget of $11.4 million, and indirect costs brought it to $14 million. The effects budget eventually ran over by $1.5 million, forcing the elimination of some scenes, including Nauls's confrontation of a creature dubbed the 'box Thing'.
Download lagu sayang apa kabar denganmu shae. Best Lines: Palmer: 'You gotta be fuckin' kidding.' Clark: I don't know what the hell is in there, but it's weird and pissed off, whatever it is. Childs: You're gonna have to sleep sometime, MacReady.
The Thing was often compared to similar films, particularly Alien, (1978), and The Thing from Another World. Ebert and Denby said that The Thing seemed derivative compared to those films, which had portrayed the story in a better way. Variety called it inferior to the 1951 version.
Conspicuously, there’s none coming out of mine.” Another theory postulates that the bottle that MacReady gives to Childs is actually a leftover molotov cocktail and thus contains gasoline. Regarding this theory, Kurt Russell has said, “John Carpenter and I worked on the ending of that movie together a long time.
From, adding another memorable character to his repertoire, to dependable actors like, and, everyone creates believable, relatable characters that sell the mystery and the hysteria of their situation, especially the dynamic between MacReady and Childs. And that's what gives the film its perfect ending, in my opinion. After all the gruesome insanity, Carpenter leaves us with a quiet scene by the fire between two people that don't trust each other, and an audience that also doesn't know who to believe. It's a perfectly bleak and ambiguous conclusion that lets you leave the theater feeling satisfied but still uneasy. The hallmark of any good scary movie.
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Bottin worked so hard for so long, he ended up being hospitalized for exhaustion, pneumonia and a bleeding ulcer. That literal blood and sweat is apparent on the screen with a wide range of creatures that defy expectations and still hold up as iconic images. The autopsy scenes especially are a thing of disgusting beauty. Given the enclosed nature of the story, the movie hinges on its performances as much as its technical components. From, adding another memorable character to his repertoire, to dependable actors like, and, everyone creates believable, relatable characters that sell the mystery and the hysteria of their situation, especially the dynamic between MacReady and Childs. And that's what gives the film its perfect ending, in my opinion.
In the end it is servicemen and several sensible scientists who win the day over the alien invader. Screenplay [ ] The film was loosely adapted by, with uncredited rewrites from and, from the 1938 novella by; the story was first published in under Campbell's pseudonym (Campbell had just become Astounding 's managing editor when his novella appeared in its pages). The film's screenplay changes the fundamental nature of the alien as presented in Campbell's 1938 novella: Lederer's 'Thing' is a humanoid life form whose cellular structure is closer to, although it must feed on blood to survive; reporter Scott even refers to it in the film as a 'super carrot.' The internal, plant-like structure of the creature makes it impervious to bullets (but not to other destructive forces). Campbell's 'Thing' is a life form capable of assuming the physical and mental characteristics of any living thing it encounters; this characteristic was later realized in 's adaptation of the novella, the 1982 film. Director [ ] There is debate as to whether the film was directed by Hawks with receiving the credit so that Nyby could obtain his Director's Guild membership, or whether Nyby directed it with considerable input in both screenplay and advice in directing from producer Hawks for Hawks' Winchester Pictures, which released it through Hawks gave Nyby only $5,460 of the $50,000 director's fee that RKO paid and kept the rest, but Hawks denied that he directed the film.
Who Goes There? The Novella That Formed The Basis Of 'The Thing'.' Rocket Ride Books, 2009. • del Ray, Lester. 'The Three Careers of John W. Campbell', introduction to The Best of John W.
The film is mostly harmless fluff. Craven has his heart in the right place, and even when the film misfires (as it so often does) it's hard not to love it regardless. Barbeau absolutely steals the show and runs with it, although it must be noted that in the short time he spends on film, Ray Wise delivers a charming and wholly human performance. David Hess also pops in to do what he does best: playing a merciless thug. There's also a score by Harry Manfredini at hand that evokes images of Crystal Lake, but for the purposes of this film, let's just call it Crystal Marsh. Also, look out for a cameo from the elusive Manbearpig towards the end of the film. In the end, 'Swamp Thing' is far from the finest comic adaptation, but then again, it's not the worst either.
Waites) quarantine the remains of the dog-creature and the Norwegian cadaver in the storage room, while (Joel Polis) confers with MacReady in a Snowcat that Blair is becoming unstable and his research indicates the burned creatures are still alive. Moments after Windows left, strands of tentacle-like sinew emerged from the remains of the dog-creature and the Norwegian, and proceed to assimilate Bennings. Windows returns to find the creature assimilating Bennings, and alerts MacReady, who activates the fire alarm; the team corners the alien in mid-transformation and burn it with fuel. Blair, meanwhile, has calculated that the creature will assimilate the entire planet within three years upon reaching civilization and suffers a mental breakdown: to prevent the alien from escaping, he disables the helicopters, tractors, kills the remaining dogs, and proceeds to wreck the radio room until the team overpowers him and lock him in the tool shed. Now isolated, the crew realizes that they might be contaminated and speculate on how to determine who is human.
For the month of October, JoBlo.com staff will be gearing you up for the Halloween season with My Favorite Scary Movie, where we will share our favorite scary flicks, be it gory horror, supernatural thriller or bloody slasher flicks, lending the personal touch for each film and why it stands as one of our all-time favorite spooky flicks of the season. What’s it about? A group of researchers stationed in Antarctica find their ranks infiltrated by a gruesome shape-shifting alien hellbent on killing them, imitating them, and escaping to do the same to the entire planet. Who’s in it?,,, Jed the Dog Who made it? (director), (writer), Rob Bottin (special effects), Ennio Morricone (score) Why it’s my favorite scary movie: My wife is not a big fan of horror movies, but last Halloween she agreed to watch THE THING with me on the big screen. As the film started and a sled dog ran through the snow, I heard her whisper under her breath, 'Aww, a puppy!' Everyone in our row laughed.
The Thing 1951
Redding (uncredited) [ ] • as Dr. Wilson (uncredited) [ ] • as Dr. Ambrose (uncredited) [ ] • Norbert Schiller as Dr. Laurence (uncredited) [ ] • as Mrs. Chapman • Nicholas Byron as Tex Richards (uncredited) [ ] • David McMahon as General Fogerty (uncredited) [ ] • as 'The Thing' Production [ ] No actors are named during the film's dramatic 'slow burning letters through background' opening title sequence, while the cast credits appear at the end of the film. No performers are named in the film's advertising graphics. [ ] Many cast members with significant speaking parts are not credited.
The Thing Quote: “I know you gentlemen have been through a lot, but when you find the time, I’d rather not spend the rest of this winter TIED TO THIS FUCKING COUCH!” – Garry Do you like totally gross monsters, psychological thrillers, cute dogs and sexy Kurt Russells? If so, you’ll love “The Thing.” This John Carpenter classic stands the test of time, despite some glaring plot holes. Never before have Americans so smart done so many stupid things in so little time.
Franco also played the Norwegian wielding a rifle and hanging out of the helicopter during the opening sequence. Anita Dann served as casting director. Filming [ ] The Thing was storyboarded extensively by and before filming began.
The story follows the events after the Norwegian team discovers the Thing. Although released years apart, and unrelated in terms of plot, characters, crew, or even production studios, Carpenter considers The Thing to be the first installment in his 'Apocalypse Trilogy', a series of films based around, entities unknown to man, that are threats to both human life and the sense of self. The Thing was followed by in 1987, and in 1995. All three films are heavily influenced by Carpenter's appreciation for the works of. References [ ]. • ^, pp. 24–25.
The one I took the hardest was The Thing. My career would have been different if that had been a big hit. The movie was hated. Even by science-fiction fans. They thought that I had betrayed some kind of trust, and the piling on was insane. Even the original movie's director, Christian Nyby, was dissing me.'
He orders Fuchs to continue Blair’s work, who had now gone mad.and the alien may or may not have infected him at this point. The power goes out, and Fuchs disappears. As the blizzard approaches, the group finds his burned remains outside. The camp chef Nauls (TK Carter) finds MacReady’s torn clothing in his shack’s oil furnace—a sign that the alien has assimilated him. While deciding what to do with MacReady, MacReady storms in and threatens to blow up everyone with dynamite. A stand off ensues.
Exposed, Palmer then transforms and begins mauling Windows. Macready tries to burn Palmer, but his flamethrower jams and fails to ignite. After it finishes mauling Windows, Macready finally gets the flamethrower working and burns Palmer, then finishes it off with a stick of dynamite, before burning the transforming Windows. Confirming that MacReady, Childs, Garry, and (T.K. Carter) are still human, the surviving crew set out to the tool shed in order to administer the test to Blair while Childs keeps watch, only to find that he has escaped by tunneling his way underground. They follow the path and discover that not only had Blair been assimilated, but he had been constructing a small of alien design underneath the tool shed in order to reach and infect the mainland.
“When I started seeing some of the effects that Rob created—it was one in particular, one particular sequence where Charlie [Hallahan’s] head comes off the table and the tongue shoots out and it pulls across and turns over and grows stalks and walks across the floor—when I saw that I realized a great sense of relief because what I didn’t want to end up with in this movie was a guy in a suit,” said Carpenter. “Even as great as [ Alien] was, and Alien was a terrific movie in the very end, up stood this big guy in a suit.” 12. A STOP-MOTION SEQUENCE WAS FILMED BUT NEVER MADE IT INTO THE FINAL CUT. For a pivotal scene near the end of the film where MacReady battles the enormous “Blair-Thing,' Bottin called upon stop-motion expert Randall Cook for help. Cook created an entire miniature model of the set and filmed the wide angle shots of the monster using stop-motion animation. Despite only taking up seconds of screen time, the sequence took countless hours to create. Ultimately, Carpenter decided not to use the footage as his own eye could detect the stop-motion animation.
Carpenter's friend John Wash, who developed the opening computer simulation for Escape from New York, designed the computer program showing how the Thing assimilates other organisms. Model maker Susan Turner built the alien ship approaching Earth in the pre-credits sequence, which featured 144. Designed the film's poster. He completed it in 24 hours, based only on a briefing, knowing little about the film. A special opening premiere of The Thing was held at the, hosted. The lack of information about the film's special effects drew the attention of film exhibitors in early 1982. They wanted reassurance that The Thing was a first-rate production capable of attracting audiences.
Fact of the matter is that it's a harmless and enjoyable affair, provided one is in the appropriate state of mind. Filled to the brim with oddball characters (Jude deserves his own spin-off) and goofy monster antics, 'Swamp Thing' is an odd creature that you can't help but adore.
No other film has ever even come close to doing that to me! No question -- this is one Seeing it in 1982 I expected just another SF film, so the initial eruption of that dog in the beginning took me totally by surprise. It was so shocking that I had to leave the theater for a few minutes. No other film has ever even come close to doing that to me! No question -- this is one of the grimmest horror films ever made, a diabolically powerful masterpiece of a futile fight for survival by a small and shrinking group of terrified humans against an utterly alien, unimaginably ancient entity, surrounded by the deadly, primeval, Antarctic winter night. The Thing is a really great horror movie, with a fantastic sense of mystery that keeps you on the edge of your seat the whole time.
The 2015 Tarantino film takes numerous cues from The Thing, from featuring Russell in a starring role, to replicating themes of paranoia and mistrust between characters restricted to a single location, and even duplicating certain angles and layouts used by Carpenter and Cundey. Pieces of Morricone's unused score for The Thing were repurposed for The Hateful Eight.
However, The Thing has gone on to gain a cult following with the release on home video. It was subsequently 'novelized' in 1982, adapted into a comic book miniseries published by Dark Horse Comics, and was followed by a, a released in 2011 and a spin-off released in 2015. Contents [] Plot In winter 1982, an American is alerted by gunfire and explosions. Pursued by a Norwegian helicopter, an Alaskan Malamute makes its way into the camp as the science station's crew looks on in confusion.
•, pp. 189–90. Bibliography [ ].